Brechtian Reflection in Vijay Tendulkar’s work: A case study of Play 'Ghasiram Kotwal'

Abstract

This study examines the presence of Brechtian theatrical techniques in Vijay Tendulkar’s celebrated play ‘Ghashiram Kotwal’, positioning it as a significant example of epic theatre within the Indian dramatic tradition. Drawing upon the principles of Bertolt Brecht’s theory of epic theatre, the paper explores how Tendulkar employs devices such as alienation (Verfremdungseffekt), episodic narrative structure, stylised performance, and the use of chorus to disrupt emotional identification and encourage critical engagement among the audience. The play’s historical setting, combined with its satirical portrayal of power, corruption, and moral decay in the Peshwa regime, reflects Brecht’s emphasis on exposing socio-political realities rather than merely entertaining audiences. The integration of music, dance, and performative commentary further reinforces the distancing effect, preventing passive consumption and promoting analytical reflection. Through a close textual and performative analysis, this study argues that Tendulkar successfully indigenizes Brechtian dramaturgy, adapting it to the cultural and theatrical traditions of India. The paper concludes that Ghashiram Kotwal not only exemplifies Brechtian influence but also reinterprets it within a localised context, thereby contributing to the evolution of modern Indian theatre as a medium of social critique and political consciousness.